(laughter) that's why you should do it in rehearsal. it's amazing how the alchemy of branding an image can make us choose coke or pepsi, crest or colgate, clorox or hydrox. personally, i've never been able to taste the difference. (laughter) ands there's one marketing tactic out there that really intrigues me because it happens a lot and most people don't know about it. when a brand in order to focus their marketing efforts creates an an imaginary character that represents the kind of customer they want to attract. for example, and this is true. when i began this show, cbs created a marketing presentation that said there were two kinds of viewers out there. there were donnies and debbies. apparently my last show was something of a donnie fest. so-- (laughter). >> stephen: they like me to get more debbies which is why

you're welcome, ladies. (applause) and i'm not the only one with imaginary customers. so is casual fresh mex chain qdoba which for years has been playing second taco to chipotle. so they've been trying to differentiate themselves. for instance, recently chipotle had an outbreak of e. coli, so qdoba went with tie foid. foid.-- typhoid. and despite that viral marketing, they've had a little trouble getting you into their stores. i'm not surprised. just like there is no i in team, there's nou in qdoba. so qdoba created the quentessa, an imaginary character with a certain flair capable of wooing their target customer as opposed to their real customer, someone whose flight has been delayed.

team the quentessa ask also-- also naturally magnetic, leaves a story-filled life and invites others to do the same. yes, the quentessa wants to you have stories. for instance, once upon a time, i ate a burrito. (laughter) story gets pretty disturbing from there. and according to qdoba marketing team, the quentessa style makes guys want her numbers and girls kind of want it too. oh. oh, i can see that strategy meeting. and after a girl gets her number and goes back to the quentessa's place, they have a pillow fight and things get all sexy and then they knock on the door of the neighbor who is a marketing guy for qdoba. what was i saying? right, selling tacos. the quentessa has even effected the look of qdoba's restaurants. because the marketers asked themselves what is the type of space, literally that the quentessa would want to invite

the answer was literally, the bathrooms. (laughter) which qdoba redesigned because that is where we felt we have a chance to go and inject copious amounts of flavor. (applause) yay. hey. hey, we've all been there. and qdoba is not the only chain with an imaginary customer. lululemon created ocean, a 32 year ol proarvetional single woman who makes $100,000 a year, is engaged, has her own condo, is traveling, fashionable and has an hour and a half to work out a day. while we're at it, she also has a hovercraft and brought peace to israel. and if none of those things -- none of those things describe you, obviously you're wearing the wrong yoga pants, fatie. so obviously i have to attract young women too.

and ocean, debbie is just not going to cut it that's why my marketing team of me and jack daniels have come up with a new late show guiding spirit. my ultimate fantasy viewer empress pharysella, the el vin conjurer, she is a 5,000 year old career encon querd the barrier and conquered is the frost gientd, 12 sacks of gold, two kids, one griffin and has boots of stealth for every vacation. she vacations in the caves of forgetting an has three hours to make her glutes as hard as valerian steel. guys want nothing more than to vibrate her ocarina of ecstasy. goblins kind of want to too. and every day while i'm making my show, i think what would pleasure the empress. what would make her laugh. what would make her stick around for a volume vow commercial? we'll be right back with brian krans-- bryan cranston, or

golthar, i dedicate this humble

empress. >> stephen: yeah, but we don't know where the bodies are buried we don't know >> well, no, we don't. >> walter just lick quiified everybody. >> lbj peered him with this kunning. >> stephen: well, is that what he called it? >> yeah, he was proud of his endowment. >> yes, he was. sharon stone, i bumped into garage. >> stephen: who hasn't. >> who hasn't. everyone's got a sharon stone parking garage story.

>> and she was very effusive and complimentary. she said oh my god, i saw your johnson on stage. (laughter). >> stephen: did she like it? impressed? yeah, she caught herself. she knew what she did and then she did something with her legs, crossed it over. i don't know, i was like-- and we were in a parking garage. >> stephen: it just, it just means she likes you. >> you are now playing dalton trumbow in the movie "trumbo," quins dentally. not earn knows who he is. explain why he is an important figure in our culture. >> in 1947 dalton was the highest paid screen writer in hollywood. which was the world. and he wrote beautiful movies like kitty foil and 30 seconds over tokyo, a guy called joe. he wrote the quint essential antiwar novel johnny got his gun. >> stephen: oh, god. >> and he was also a member of

the american communist party. >> stephen: i've heard of him. >> you have heard of him. and it was really popular, grew out of the 30see and the depression. and it was really supposed to be an arm of the unions to have some clout in washingtonment so he joins this. and after post war, post world war ii there was a huge red scare in the united states. and the house on american activities committee haf, c c was overreaching their power. >> stephen: he was a member of the communist in the 30see when the comeies were our friend against hitler. as soon as we won the war they said hitler was bad but the comeies were really bad. >> the truth is that stalin was this horrible, vicious, ugly person, a murderer. >> stephen: i'm no fan. >> no fan at all. >> stephen: i will tell that

>> no. and he wasn't even a communist. the label communist was on him but he was really a fashist dictator. >> stephen: yeah. >> but the communist label stuck to that. and oh, the infiltration of american communist party must be world too. so we need to root them out. so they had this, this hearing. and anyone who didn't cooperate fully or if the committee didn't appreciate your answers, they sent them to prison. afterward-- . >> stephen: so i call you in, let's say if you are an actor or writer, i would call you and say mr. cranston, are you now or have you ever been a member of the american communist party. and then you would say. >> i'm interested in why you ask that question. >> stephen: because the communists are attempting to take over the world, mr. cranston, they're against our way of life, answer the question or you will no longer work in your town. >> i'll answer all of your questions in the way i think your questions should be answered. >> stephen: mr. cranston,-- this isn't in my script.

you know, he didn't cooperate fully. >> stephen: he didn't cooperate. >> he answered the questions but in his way and he didn't want to-- he thought if we rested on the power of the first amendment, the right to free speech, right to freedom of assembly and practice your religion, that also carried off into whatever political party you chose to be with. and it was nobody's business. and it was an unamerican question to ask in the first place. >> stephen: what was the black list. >> the black list was what was created from that point from 1947. anybody suspected, thought of, pointed the finger at, could be on the black list which meant you are not able to work in that business. >> stephen: but he ended up working. >> well, he wrote under an assumed name. and in fact, a couple of the pseu don where ms that he used for scripts, they went on to win oscar, roman holiday. >> stephen: he wrote roman holiday. >> he wrote roman holiday, beautiful film.

he also wrote the brave one. but it wasn't until kirk douglas said enough is enough. put his name on spartacu s, 13 years after he went to prison, and saw his name on the screen for the first time. >> stephen: so douglas, does he get any credit. >> he gets a lot of credit. so does otto priminger. he directed exodus at the time. >> stephen: in the movie, trumbo-w seems like a larger-than-life character. >> is he. movie. it is awend louis ck who is playing another writer, i understand. >> he plays my friend arlen herd who is far left of my character's stance. >> stephen: and he's a little fruses traited with tru mbo because he is a very rich man. >> very healthy man but he also has great ideals. >> all right, jim, let's take a look. >> if i'm wrong, tell me. but ever since i've known you,

but you live like a rich guy. >> that is true. >> well, i don't know that you-- i don't think you're willing to lose all of this just to do the right thing. >> well, i des pies march ma tir-- martyr dom and i won't fight for a lost cause, so you're right. i'm not willing to lose it all, certainly not them. but i am willing to risk it all. that's where the radical and the rich guy make a perfect combination. the radical may fight with them. the purity of genius. but the rich guy wins with the kunning of satan. >> what? (applause). >> stephen: that's night. -- nice, that's nice. we're going to take a little break. can we stick around. >> yeah. >> stephen: we'll right back

cranston. >> stephen: welcome back, everybody. we're back here with bryan cranston. bryan, everybody knows you are a gifted acker. but not every actor is like a deep thinker. and you, you really strike me as a deep guy.

i am incredibly deep. (laughter). >> stephen: i am too. i am too. i'm very deep. and whenever i have on a really big star who is also deep like me, i like to go lie on a hillside and ponder big questions with even bigger stars. (applause) wow. such a beautiful sky tonight. >> it sure is. almost makes me forget we're inside. (laughter). >> stephen: hey, bry? >> yeah, stephen? scz do you believe in parallel universes? >> no.

and somewhere i just said yes. (laughter) plawtion (applause) that cluster of stars looks like ryan seacrest. >> stephen: yeah. >> stephen. >> stephen: bryan? >> what if god's a woman? >> stephen: well, if god's a woman, then she definitely didn't write the bible. (laughter) (applause) >> did you ever think that god is an old man in a robe. >> stephen: no, i i think he t-shirt. with an arrow that just points at existence.

if you lose an arm do you think it's waiting for you in heav snen. >> no. no, i think it goes to hell for being a bad arm. (laughter) yeah. >> stephen: probably, yeah. hey, bryan. >> yeah? >> stephen: do you think you'll get into heaven? >> not after what i did in tampa. (laughter) (cheers and applause). >> stephen: do shall. >> do you think that good and evil really exist? >> stephen: oh, i hope so. they're tattooed on my knuckles. (laughter) what do you want to be when you grow up? >> that's easy, i want to be a child prodigy. (laughter). >> stephen: you would be a good one, you would be a good one. >> i hope so. >> stephen: what is the most tragic thing that could ever happen? >> a puppy who grows up to be a police dog and is forced to

adopted by a drug dealer. (laughter). >> stephen: that's sad. (laughter). >> stephen: i think-- i think-- i think the most tragic thing would be a manatee who cries but no one knows cuz he's underwater. (laughter) >> wait, is that true? >> stephen: yeah, it happened to a friend of mine. do you think we're alone in the universe, bryan? >> no, i just think everyone is avoiding us. (laughter). >> stephen: can i ask you a personal question? >> i wish you would. >> stephen: what is your biggest fear? >> that someone will find out what i did in tampa. (laughter) (applause) >> stephen. >> stephen: yeah? >> do you think that we could just be living in a dream right

now? >> stephen: no. no, i don't think so because my dreams don't have to stop for commercials.

(cheers and applause) phil! oh no... (under his breath) hey man! hey peter. (unenthusiastic) oh... ha ha ha! joanne? is that you? it's me... you don't look a day over 70. am i right? jingle jingle. if you're peter pan, you stay young forever. it's what you do. if you want to save fifteen percent or more on car insurance, you switch to geico. you make me feel so young... it's what you do. you make me feel so spring has sprung.

>> stephen: welcome back, everybody, jon batiste and stay human, everybody. jon, thank you for that, that was very generous,. >> jon: yes, indeed. >> stephen: do you have a minute, come over here and let's talk for a minute. >> jon: yeah. >> stephen: jon batiste, everybody. (applause). >> stephen: jon, i love the music, thanks for being my band leader, having a good time over there. >> good job, man, it pays well. >> stephen: thanks. good to know, man. >> jon: yeah. >> stephen: good to know, but love. money. (laughter). >> stephen: good. >> jon: yeah. >> stephen: in the words of goggle, jon, i love you. earlier, that was cool. back though. >> jon: i know, i was playing, that's commit am. i can't commit that early. >> stephen: all right, well, let's talk about commitment. how we made the commit am to each other to do this thing bsm

a year and a half ago i met you on the old show. we had a great time. and then about eight months ago, i called you up and said come on in, let's talk about being the band leader for the show. >> jon: that's right. >> stephen: we had a nice conversation. conversation. >> stephen: very deep, talk about talking about big questions, we talked about very big questions. but then you asked me a question, after i said would you be my band leader you asked me an interesting question first. >> jon: i asked you if you would come down to new orleanss my hometown and meet my parents and have red beans an rice with us. >> stephen: exactly, learn something about where you are from. >> jon: exactly. >> stephen: find out where you learned to do what you learned how to do i said i would love to as long as i could bring some cameras. so we did it we went down to new orleans, we spent a day together and we put together a couple of little pieces of us talking, and you teaching me about new orleans. >> jon: right. >> stephen: we're going to present the first one. >> jon: oh, yeah. >> stephen: jimmy.

>> i headed down to new orleans, louisiana, to soak up some culture and to learn about all things jon baltist. hey, jon. >> jon: hey, man, how are you doing? >> stephen: thanks for meeting me here at a bar for breakfast. >> jon: yeah. >> stephen: so we're going to be working together. >> jon: yeah, we're getting into it. >> stephen: let's tell the people who you are. you are a member of the batiste family of musicians here in the new orleans area. tell me about your family. >> my dad is on the musical side, has seven brothers, they had a band. they played together. have over 30 cousins that play. >> stephen: now what do you play? >> well, i play piano and an instrument called m mel odjicka, harmonica and keyboard put together. >> stephen: some call it the face piano. >> yeah. >> i think you, just you, just you. >> stephen: so what do i need to know about jon batiste. give me one sentence, one thing about yourself, what is it?

batiste loves you and loves the music. (applause). >> stephen: that's wonderful. >> jon: yeah, you and-- everyone. i don't me the-- not like that. >> stephen: oh. >> jon: sorry. >> stephen: that is exactly what i thought you meant. i got that from the beginning. >> jon: yeah. >> stephen: surek i love all of you too. i love-- that's how i-- that's how i say it to everyone i love, i love you and by you i mean just anyone. i love you, i love all of you. no differ rent yaition between me and any other human being, really. >> jon: yeah. >> stephen: really, okay. >> jon: something like that. >> stephen: all right. tell me some i should play with. >> joe, eddie, joe is playing drums and tam bore even. -- tamborine. >> stephen: you are in the shot, that can't happen in the show. >> jon: i'm very sorry. >> stephen: keep in mind. >> jon: i was trying to show the tamborine.

>> stephen: are you doing it again, you're doing it again. >> jon: am i out. >> stephen: how does this feel, how does it feel? >> jon: am i out? >> stephen: no, you're in. >> jon: am i out? >> stephen: this is great, there you go. that's better. >> jon: yeah. >> stephen: uh-huh. >> jon: this is going to be great. >> stephen: all right, jon. >> jon: let's do it. >> stephen: all right, jon batiste, where are we? >> we are on frenchman street. i'm particularly fond of this place because i grew up playing here all the time. we used to play on that corner. and we would play in this club. and that was really my first experience hanging. >> stephen: all right. is that different than waiting around? what is the difference between hanging at a gig and just-- . >> jon: hanging is waiting around but with style and social purpose. >> stephen: loitering with style. >> jon: yeah, you catch a wall.

>> jon: yeah, it helps. see? >> stephen: am i hanging right now? >> jon: so like, you lean there. and we have to look in different directions. >> stephen: all right. >> jon: so like you are looking somewhere, but we're talking to each other. >> stephen: i understand. i understand we're talking. are we techically hanging right now? >> jon: yeah, yeah. >> stephen: is that a hang. >> jon: but we don't have to stay in position. you can move. >> stephen: i feel like my suit is getting dirty. >> stephen: so that's your drummer? am i hanging right now, is that

>> jon: that's more like exercise. >> stephen: i am getting a good calf stretch. >> jon: to hang you have to be more relaxed. >> stephen: okay. >> jon: like if you want to do the hand thing, put the elbow with it. >> stephen: like that? >> jon: no, no, no no. wait, go back, go back, go back. >> stephen: all right. >> jon: you look uncomfortable. >> stephen: i'm good. >> jon: that's your hang, you got it. that's it. and then with the hang, the thing about it is the hang could last all night. >> stephen: really, have i to stay like this all night? >> jon: no, no, no. you can move too. >> stephen: all right. >> jon: we call that bleeching. >> stephen: bleeching? >> jon: yeah, you're bleeching cuz it's like you stand up, until the sun comes up usually when you bleeching. >> stephen: but why is it called bleeching, jon? >> jon: the name, it has a sound. it doesn't really have a strong connection to the activity. just bleechg, you know, like bleeching. it works. >> stephen: god, i wish i

could say i understand what you're talking about. how long would i have to stand like this to be bleeching? >> jon: it's not about-- . >> stephen: you said there was a length of time involved? >> jon: no, no, no, no. that was-- . >> stephen: is that someone playing jazz, one note. >> stephen: yeah! beautiful day. wonderful. >> stephen: humid though. summer time. >> stephen: it's a little-- it's a little humid, have i to say.

>> jon: we're wearing these glazers. >> stephen: yeah, i have an historic case of swamp ass right now. >> jon: is that so? >> stephen: yeah, you could run a fan boat in my butt crack right now. >> jon: i don't know if we will do that today. >> stephen: no, i can't imagine what my talcom powder bill is going to be at the end of this. >> stephen: jon batiste, everybody. (cheers and applause) >> stephen: we shot a lot more down there in new orleanss. we'll have more of that on another show, maybe tomorrow, maybe another time. jon thank you for being here. >> jon: yeah. >> stephen: jon batiste an

we'll be right back. >> stephen: here now to perform on the regular from his

welcome shamir. don't try me, i'm not a free sample step to me and you will be handled hi, hi, howdy, howdy, hi, hi! while everyone is minus, you could call me multiply just so you know, yes, yes, i'm that guy you could get five fingers and i'm not waving "hi" guess i'm never-ending, you could call me pi but really, how long till the world realize yes, yes i'm the best, ( bleep ) what you heard anything less is obviously absurd haters get the bird, more like an eagle this is my movie, stay tuned for the sequel seems so wrong, seems so illegal fellas in the back like a foul-ball free-throw yep, yep, you know that i go this is me on the regular, so you know

so you know yep, yep, you know that i go this is me on the regular, so you know this is me on the regular, so you know i come with the tip, with the blow, with the boom and if you're in my way, there's nothing but doom ain't got no time for you ratchet-ass goons and just settle down, listen to my tunes ever since i was eight i was attached to the mic wanted a guitar before i wanted a bike had an apple phone, ( bleep ) a fisher-price never see the sun 'cause i'm up all night really, really? really, really? you want to talk ( bleep ) but you know that i am illy? illy to the fullest, you can call me cancer no multiple choice, 'cause i'm the only answer ain't got no wallet, only use rubber bands you know my chick is ratchet 'cause that's what make a man you wanna get at me, but you don't stand a chance and if you wanna ( bleep ), yes you can take your chance haters get the bird, more like an eagle this is my movie, stay tuned for the sequel seems so wrong, seems so illegal fellas in the back like a foul-ball free-throw yep, yep, you know that i go this is me on the regular, so you know this is me on the regular,

so you know yep, yep, you know that i go this is me on the regular, so you know this is me on the regular, so you know five-foot-ten, about a buck twenty skinny as a rod but wise ( bleep ) ( bleep ), you'd think i was fifty but i take your fifty after you take this love see yep, yep, you know that i go this is me on the regular, so you know this is me on the regular, so you know break don't try me, i'm not a free sample step to me and you will be handled see, that's my crown on the mantle and if you try to touch it, yes, there will be a scandal don't try me, i'm not a free sample step to me and you will be handled see, that's my crown on the mantle

and if you try to touch it, yes, there will be a scandal this is the end, but you really feeling it here's one more verse, 'cause i ain't no sleepy ( bleep ) ain't got much to say 'cause it's in my piece guess more hit the blunt and i ain't talking weed yep, yep, you know that i go this is me on the regular, so you know this is me on the regular, so you know yep, yep, you know that i go this is me on the regular, so you know this is me on the regular, so you know. >> stephen: shamir debu t

we'll be right back. i...love new york. these grapes are squishy. i...need a shove. can someone help me? i...love new york. yes, that's a real bear. i...won a trip. that is so exciting. (announcer vo) play the i love new york scratch-off from the new york lottery. you could win trips to exciting

captioning sponsored by cbs >> stephen: that's it for the late show. tune in tomorrow when my guest will be whoopi gold berks gov injury john kasich and glen hanserd. stick around for james corden. good [captioning funded by cbs television studios and cbs broadcasting inc.] the late night wars are a desperate scramble where a network gambles on a host

people will tune into a pleasant bloke who can joke and chatter and achieve what matters the most earning billions in revenue that's the nature of my job what i'm trying to do somewhere after "the late show" post colbert theres a talk show of which a lot of you arent aware

after "late show" youll find me one more affable white guy gabbing on your tv i host a little talk show where the atmosphere is laissez-faire and low key where ill recruit a famous star for fun recurring bits like carpool karaoke somewhere after "the late show"

drunks stay after "the late show" why then oh why cant you if stoners, drunks and virgins view me after "late show" why oh why cant you james: somebody roll them titles. "the late late show" "the late late show" ooh "the late late show" the late late know -- show

it's "the late late show" [cheers and applause] james: aw, thank you so much. aw, thank you for coming out. welcome to "the late late show." there's no place like home. look at the band. look. they've been dressed like that for hours. [cheers and applause] i love it. how are you feeling, reggie? reggie: i'm feeling pretty good. james: oh, put them up. put them up. the amazing thing is the whole & band -- obviously a costume person dresses the whole band. guillermoed that already. he just brought that from home. he said, no, no, this is how i dress when i'm not here at the show. thank you for coming out. thank you for being here. shall we have a look to see who our guests are tonight? we have a fun show. she's one of the stars of the

cbs hit drama "blue bloods," the gorgeous bridget moynahan! how are you, bridget? broim nice see you. james: how's it going? bridget: it's going ok. james: who are you covering up? it's not wendy, is it? ladies and gentlemen, give her a huge round of applause! you and wendy, these are the authors of bridget's book that we're going to talk about tonight. that's right, bridget? bridget: that's right. james: "the blue bloods cookbook." bridget moynahan, everybody! [cheers and applause] in the purple room, hes the tony award-winning director of -- i think genuinely of the world. he's directed plays as "carousel," "the history boys," and "war horse," thesir nicholas hytner!

incredible [cheers and applause] nicholas: enough of this sir because i'll have to remind the people that you are an officer of the british empire. i think british empire that you here in america are treing to remind people that independence was a really bad idea. [laughter] james: no, i'm really not. i promise. sir nicholas hytner, everybody! [cheers and applause] so lovely to see him. in the orange room -- like one director is not enough. he's directed some of the biggest comedies of the last decade, "bridesmaids," "the heat," and "spy," the incredible paul feig is here this evening! paul: why, hello. hello, governor. james: look that guy. never ever shabbily dressed. have you good cane?

paul: yes, as my friend. james: where does one buy a suit like this? paul: one must go to your homeland. james: the cut of your suit is impressive. what? thank you for being here mr. paul feig, everybody! [cheers and applause] always wanted to meet him all my life. and in the red room tonight, we have a huge band. they have a three u.k. number one albums. one of my favorite bands of all time. and when they tweet me and said can they come and perform on the show, i couldn't get them here fast enough. ladies and gentlemen, the charlatans are here tonight! hey, how are you? >> good, thanks. james: i'm loving the hair. it's just an absolutely triumph. i don't know that anyone else could pull that off. >> no, that's not money. james: it's like an indy a bino monk.

ladies and gentlemen, the charlatans. such a good performance coming up later. now, ladies and gentlemen, my mom and dad are here tonight. they're in the audience there. where are you mum? [cheers and applause] >> high-five! james: now -- now look, before mom and dad left england, gave them a special assignment. they were my correspondents at the nfl football game at wembley stadium in london. and i believe they proved you can have fun at an nfl game even if you have no idea what is going on. >> hey, hi, james. we're here with the buffalo bills training for the match. game -- it's a game. >> who are they playing? >> they're playing the jacksonville jaguars. yeah.

>> 56, come and say hello. >> what's your name, cedric reed. >> you're joking? that's my father's name. >> no, it's not. >> it is. >> your father's a great man. i now he is. >> what's your name? booby dixon. >> that's not your real name. >> what's your real name. anthony dixon. >> that's a bit better. >> we're the parents of james corden. >> have you ever had of james corden? >> i haven't. >> that's it. it's over. a booby in the u.k. is either a lady's breast or if you're a booby in the u.k. you're a bit crybaby. >> what progs you? >> i play left guard on the offensive line. >> what's that mean? >> i run around, i hit people, knock them over, get all the

>> you run around and bat -- and nothing else? >> nothing -- >> you just smack them out of the way. >> lay them on the ground. >> no? >> yes. >> just give me a quick demo. >> ok. [laughter] >> oh, yes, come on! >> there you go. >> whoa, ready for anything. you just scored, bang. booby's got it. go. >> i haven't seen my son for a long time. can i give you something to, you know, america -- can i give you something to give to james? >> most definitely. most definitely. >> oh, my word. >> a big hug.

>> you look a bit like our son. >> my wife and i are the u.k. sports correspondents for the james corden's late late show. we don't know an awful lot about, you know, your sport. tell us all about it? >> yeah, you try and score more points than the other team for starts. >> is the offensive team, the defensive team and then the special team. >> there are three faces. >> doesn't that make the special team sort of the superior -- how would you feel if you wsht in the special team -- >> they get the least amount of time so i guess they get named the special team. >> if anyone needs a room -- if anyone wants a bed for the night. >> i'm in. you're cooking? >> he's a better cook than me.

he'll be cooking. lots of tea. >> i'm in the special team for cooking. [laughter] >> my wife and i will be at the game on sunday. we're not quite sure who to support. >> you have to support the guy that's staying at your house. >> fac. jag wars. >> there you go. >> we are jag wars. >> yeah! >> we are the jaguars. >> we are "the late late show." we are "the late late show." [laughter] >> my daughter would say he's got a fat [beep]. so you're supporting the giants. >> well, then i'm i frade i was swayed when i met one with of the buffaloes this morning and his name was boobie. i've got go to boobie, i'm sorry.

it's going to be a real good victory when the saints go marching in [cheers and applause] >> thrown by beetles and it's a touchdown by yell don. first and 10 and going for the end zone and touchdown! >> we're pitch side and you can hear the roar in the background just to get pictures for you, james. >> throws it up and it's picked up. a buffalo touch down! >> they scored -- the bills have

>> 37. go, go, buffalo! >> you can put that where the sun don't shine. >> at the 26. he's got his veever! it's a touchdown. >> the jackson scored! >> and the jag wars have taken the lead. >> well, that's it. the jags have won this time. >> yay! >> we're in the passageway or corridor. >> and we're going to the dressing room. >> and meet the winning team. >> completely disrobed. >> she's so excited about it. >> yrks ay! -- yay! >> hey! >> i think i have to cover my